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US hitmakers were also drawn to bachata, as evidenced by New York-based Prince Royce’s collaborations with Marc Anthony (“Adicto”) and Shakira (“Deja Vu”), and songs by Romeo Santos with Usher (“Promise”), and Enrique Iglesias (“Loco”). Adapting to the times: Bachata also continued to adapt to changing tastes by folding elements of Western-based Latin music, like reggaeton and hip-hop, into its core sound former Aventura frontman Romeo Santos enjoyed success in both the US and other English-language countries with this fusion format.Mainstream success: Bachata’s stratospheric ascent in Latin music and culture continued unabated in the twenty-first century when acts like Aventura played Madison Square Garden, and Monchy y Alexandra scored huge chart hits.A cadre of rising stars, including Luis Vargas, Anthony Santos, and Juan Luis Guerra, whose 1992 album Bachata Rosa brought the genre a Grammy, gave bachata and Dominican popular music worldwide exposure. The lyrics turned to more romantic topics, and tempos grew faster and closer to merengue. The electric guitar replaced the requinto, or lead acoustic guitar, as the driving force behind many songs. The addition of electric guitars: The 1980s saw bachata artist adapt their sound to increase the genre’s popularity with a growing musical audience.
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This environment influenced the lyrical tone of bachata music, which featured themes of lust, crimes of passion, and despair this, in turn, made the genre more popular with listeners and made stars of such performers as Leonardo Paniagua.
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Bachateros found no support from mainstream music venues or radio stations but were embraced by working-class neighborhoods and clubs.